A New Author's Survival Guide                                                    Medieval Masterchef

  Ireland's Revolutionary Sisterhood                                             Powder & Paint: Make-Up & the Medieval Woman

  Childbirth Rituals in Medieval England                                      Digging for Gold: Historical Research & Story Gaps

  Scotland's Pictish Stones & the Lost Story of Guinevere         The Bloody Battle of Towton

  Characters to Die For                                                                  The Green Children of  Woolpit

  Music to Write Books By                                                            Breaking Out of the Doll House: Women Soldiers of the American Civil War          Who Can be Patient in Such Extremes?                                    A Merry Medieval Christmas     

​  Witch Marks & Curses: The Rituals of Protection                          The Proust Questionnaire

  Mother's Ruin: A Tale of Gin & Drunken Women                          Hedda Hopper and Louella Parsons: Hollywood's Killer Queens

 Scents and Sensibilities: The Not So Smelly Middle Ages?        Scotland's Medieval Monasteries

​ Through a Glass Darkly: Mirrors, Myths & Magic                        King Charles III and the Importance of Writing Things Down

 Jane Austen & Walter Scott: Not Quite Love & Friendship

Here's a Writing Tip: Don't Read the Writing Tips...

​When I was a kid there were two sayings I thought were even weirder than the normal weird

stuff adults say, eg. whatever you do, God and the Pope can see you . No? Just my mother then.

The first was it's as easy as taking candy from a baby  and the second it's as easy as riding a

bike. Now maybe I was an exceptionally greedy and/or clumsy child (be quiet in the cheap

seats) but to me both of those epitomise things only to be attempted by people with no

concept of pain or failure. Not to be attempted by writers then.

Now that I have embarked on this strange thing called writing, it seems I'm surrounded by people

offering me advice about how easy writing is. From the person in the pub you stupidly answered

author to in that mind-numbing so what do you do and how can I show you that my shit is better

dance to the best-selling authors who really don't work that hard but somehow it just happens, 

everyone who can pick up a pen or click a keyboard apparently knows how to write. And they

would, of course, except they don't have time...The world abounds with writing tips. Here's my advice: don't read them. Seriously, go pick a scab or look at your Author Central sales ranking if you want to inflict pain on yourself, at least they don't come with a side-order of smug. Why should you walk away? Here's my tips (irony intended):

​1. They all contradict each other. A few years ago The Guardian ran a series called Ten Rules for

   Writing Fiction ​which featured lots of authors spilling the secrets of their success. Some of these

   were beautifully written with extended metaphors that didn't at all feel like a bunch of people

   waving their hands and shouting look at me, I'm the literary one and they were brimming with

   good advice. David Hare was quite clear that you should write only when you have something to

   say; ​Esther Freud states ​Don't wait for Inspiration. Discipline is the key. Michael Moorcock

   maintains you should read everything you can lay hands on; ​PD James asks that you read with

​   discrimination; Will Self advises you stop reading fiction completely. Annie Proulx demands that

   ​to ensure that you proceed slowly, write by hand; Zadie Smith is all about the computer. All right,

   I'm trying to make a point here and there is some commonality, especially over editing, but

   basically the only way to treat this is like a giant pick and mix - make sure you find the tip 

   that meets your mood and ignore the rest. My favourite? Philip Pullman: My main rule is to say

   no​ to things like this, which tempt me away from proper work.

​2. They don't make you feel good about your own work. ​No disrespect to Sarah Perry but how many of us read the following opening to         her Guardian interview with a sinking heart: ​To be perfectly frank, I don't write much. I never have. No Sarah, no. The rest of the interview

    may have explained what she meant and left us with no doubt about her hard work but, by that point, weary heads had crashed onto             desks and were bleeding onto the rejection letters. Tell me it was tough, make me feel better. I'm a rising-tide-lifts-all-boats sort of             person - I celebrate your success but I'll celebrate it even more if you tell me there was a bit of struggle involved and, like Joanne Harris,       you could make sculptures from your rejection letters.

3. You only read them when you are stuck. ​It's true isn't it? If the writing is going wonderfully and the agent is fielding offers not                     rejections, you don't go searching out writing tips - you probably feel you could write your own. Please, don't or, if you do, remember           what it was like when you went looking. I'm a big fan of AL Kennedy who is all about humility and kindness, it's a good way to be. If               you're stuck and the scab/author central thing isn't hurting enough, go ask a member of your family what they think about your writing       and if they have any suggestions about how to make it better. You'll get the same crap feeling but at least you know they're idiots.

    This is a game we are all learning, no matter whether we are one

    book or twenty down the lin​e and it would be foolish to march

    along the road without ever seeking a helping hand. I am a big fan

    of AL Kennedy's On Writing and have never regretted buying Emma

    Darwin's Get Started in Historical Fiction - if you don't know her

    This Itch of Writing blog it's also worth a look for practical tips. And

    that, being honest, is what I want - practical tips I can put into

    practice, brush up on and pass on in creative writing workshops 

    (Emma, if you read this - I cite you, I promise!) not lofty thoughts

    from on high. Having said that, I did read a really good blog on how

    to be a writer recently by Rebecca Solnit so I'm passing that on via

    my Facebook Author Page (special tip of the day - always be

    marketing, offered at no charge). Obviously I liked it most because

    she'd written my thoughts, only better...

    There was one quote on the Guardian page that I really liked - it went with the best piece of writing advice I think I've been given           which was, in essence, if you want to be a writer you have to keep writing and it may be your 3rd or your 4th or your 5th book that         cracks it. It's from Helen Simpson and I offer it below while I go off to sacrifice to the writing gods and hope the agent meant it when

    she said she was in it for the long haul...


    ​The nearest I have to a rule is a Post-It on the wall in front of my desk saying  "Faire at te saire" (Flaubert) which I translate for myself as 

    "Shut up and get on with it."

     Have a good writing day and remember children, word counts are nobody's business but yours (and God and the Pope's).


The Next Chapter: Click Here for updates on my next novel


 And you just thought you were going to write a book...

 Redrafting, editing, finding, or not finding, an agent, understanding publishing,      becoming  an expert in marketing and social media, begging anyone and everyone who  reads you book to become a reviewer, apologising to the people you forgot to include  on the thank you page, losing any grasp on social skills. The reality of a writing life.

 I often use the analogy of Bambi on ice to describe myself 18 months ago when I started on  the process that would see me as an actual published author. I've certainly learnt a few  lessons on this writing journey to the  publication of Blood and Roses. I hope you find  some of the ramblings useful...